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And when it comes to getting Nina into his modeling stable with a brand new haircut, and out of the sewing room, he needs the church to tell her to go live her life, and forget her sinful child. In others, like the case of the Marquis' daughter who freaks out about her neckline on her wedding gown, he needs his assistant Charlotte to solve the problems. Billy, for instance, who obediently comes running up like a lapdog, with the threatening note in his mouth of someone trying to expose Paul Sabine's involvement with the Germans during World War II. Speaking of Paul, he imagines he can manipulate everyone to do his bidding. In the second, he doesn't show up at all, leaving Helen to cope, and show off one of Claude's rejected designs out of desperation.Ĭlaude: "You don't have a neck, that's why we gave you a collar." In the first, he tries to show last year's collection. Both meetings with the man in question are therefore utterly awful. Nor was it his connections that brought the fragrance maker Pierre to his door it was hers, and her father's. Oh, he might have cared about the fragrance, had it been his idea. Paul doesn't care about either of those things. Meanwhile, Helen imagines her husband cares about fragrance. Billy, the photographer who is clearly in love with Nina, continues to imagine that the House of Sabine and all that occurs within it somehow above board, even though everything in front of his eyes tells him otherwise. Everyone was on a flight of fancy, from Nina, who imagined a life where she could have her son back, only to realize he had been taken from her forever by a society which refused to see him as anything to her but a sin. Instead what we got was a work of pure imagination, not just on the part of those producing the show, but by the characters. To recreate the design process that created to "New Look" of 1947, and why that look was inspired in that region, in those times, would have been an hour I would have found riveting. The process of design has kept Project Runway on the air for 13 years and counting, with multiple spin-offs. Why? Because apparently, they don't believe that the making of beautiful clothes and the process of design is interesting enough on its own to carry a television show. Someone should tell the producers to sit down and watch Project Runway (at least those early years on Bravo.) Then they should make them watch all four seasons of The Great British Sewing Bee. There was too much plot piled on, too many dramas, too much hokey dialogue. Last week's opening episode of The Collectionhad something weirdly wrong about it. The Collection insists on taking the slow path to getting to the actual Collection, leaving everyone to imagine their own drama.Įliette Malet: "I don't know what life I'd be wearing it in, but I said "Damn it, when I find out I'm buying the damn thing." After a model (Park Han-byul) turns up dead, seemingly another victim of the Barcode serial killer, Mu-gak joins the investigation headed by Lieutenant Yeom Mi (Yoon Jin-seo), and he hones in on two possible suspects: the model's boyfriend, chef Kwon Jae-hee (Namgoong Min) and her doctor (Song Jong-ho).Credit: Courtesy of Lookout Point and MASTERPIECE Cho-rim also needs a skit partner for her upcoming audition in ten days, and when she offers to help him with his cases in exchange, they decide to team up. But to do so, he must first get promoted to detective, and has to prove himself to the head of the homicide unit Detective Kang Hyuk (Lee Won-jong) in ten days or else never ask for a promotion again. He leaves his job at the aquarium to become a police officer, vowing to reopen the case and catch the killer. And unlike his previous warm personality, Mu-gak is now stoic, emotionless, and speaks in a monotone. When he woke up, he'd lost the sense of smell and taste, and is unable to feel pain. On the other hand, Mu-gak had been so traumatized by his sister's death that after two months of no sleep and constant pain, he'd fainted and was clinically dead for ten days.
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